This is where my thinking is going lately, towards breaking up some Reed practice systems so they're not pure formula. Which I have always done anyway, just not very systematically. We want to make our practice systems non-systematic systematically... skip it.
This tweak is pretty specific, for the extremely useful right hand lead triplet system, played at medium tempos, putting a five-stroke roll at the end of the longer runs of filler. If you review the basics of that method, the right hand plays the rhythm in the book, and the left hand fills in the triplets, with the right hand helping break up longer multiple notes of filler, to aid in playing it at faster tempos.
This requires a slightly different sticking system— most of the multiple-note filler will simply alternate, with doubles on the last two notes. With the most common situation, illustrated in reading example 1, the sticking is the same for the original system and for this tweak, LLRL.
Play the warm ups, analyze the reading examples, and you're ready to run this reading out of Syncopation, pp. 30-45, assuming you could do that in the first place.
No comments:
Post a Comment