I don't know what to call this category of thing— I was listening to some Jack Dejohnette, where he would play something on the snare drum, beginning with a unison accent on the snare and a cymbal. And with no air between the SD/cym accent and the snare drum stuff. Shades of Tony Williams in there too. It's sort of a unique move, that I've never worked on specifically. So these are some things to play around with to develop it.
The “B” sticking of course means Both hands in unison. The only stickings that matter are at the front of the measure, pencil in whatever you like at the end of the measure.
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