So here's what we were setting up with that last thing— a page of Mozambique for the drum set:
Work up each pattern individually until it feels good, and then combine parts as you see fit according to your needs. I personally am running them first as written, then + hihat, then + hihat and bass drum. If you're using them in a jazz context, you can do basically whatever you like, that doesn't get you fired; if you plan on playing salsa (so-called) for real, there's a definite right and wrong way to do it, and a lot of further study will be required. Some of the patterns relate to the audio from the previous post, so do refer back to that.
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