UPDATE: Oops, there's a duplicate pattern in there— I think pattern 9 happens three times. And I got sloppy with my beaming standard. Oh well, it happens when you're rushing to post stuff.
Some patterns extracted from these recent two Jack Dejohnette transcriptions. You could do essentially this with every transcription on the site— get your pencil, draw a bracket over any part of a transcription that looks interesting, practice that, develop it into something you can do in a musical texture. Sharpie a big rectangle around it.
These are not particularly unique patterns— you can make something similar to them using a variety of sources, especially Stick Control and Syncopation. We'll take advantage of them all being written on one page (two pages) to practice combining them. Many of them are four note patterns played twice. At the end of page 2 there are some patterns that are essentially grooves. Patterns 7 and 19 are polyrhythmic/polymetric patterns that can be played over two or more bars of 4/4 or 2/2.
Practicing these, I essentially play around with them as musical ideas, moving them around the drums and cymbals, varying the accents, playing obvious variations on them, and finding ways to end them other than by stopping on beat 1. I might practice them the same way as my “Funk/Figure/Cliché Control” pages, combining measures without stopping, one time each: 1-2, 1-3, 1-4, etc, 2-3, 2-4, 2-5, etc, 3-4, 3-5, etc, and so on.
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