I like this little series. Nothing radically innovative, but a slightly different way of thinking about normal jazz comping vocabulary, courtesy of John Riley. These pages aren’t ordered for total beginners— if I were teaching […]
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Reed interpretations: special voicing – 01
This came out of the groove part of my recent Country Rock thing. It’s a kind of subtractive method for voicing the snare drum and bass drum. Not unlike my John Riley-inspired “that with interruptions” […]