Another original syncopation exercise. The last one had single notes, spaced one or two 8th notes apart. This one has one or two notes in a row, one or two 8ths apart. Both are really designed for speed when playing the right hand on a cymbal (often with bass drum in unison) or tom toms, with the left hand filling in— with that interpretation you never play more than two notes in a row with either hand.
See our voluminous archives of Reed interpretations for ways of orchestrating this for the drumset.
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