This Max Roach Freedom Suite transcription is like a text book on jazz comping— one method of it, anyway. I'm having my students extract some two and three beat cells from the transcribed excerpts; here I've written them out for the first three examples from that original page. You can easily do this with the other excerpts— I don't know, some people need to see something written out and an “official” lesson made out of it to take it seriously.
Don't think of this as an ostinato based system; we're not starting with a cymbal pattern and adding “independent” snare and bass drum parts. These are all complete three-voice ideas in themselves— and that's the way you should learn them, all at once.
Play these with a swing interpretation. Try it with the Tunji loop. The cells in 3 you can also play in 4/4. They'll resolve to start on beat 1 after three measures. You can also get some usable 5-beat “cells” from that original page of excerpts, or my page with triplets added, as well.
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