The early 80s were kind of a heyday for hip hihat work. Stewart Copeland and Omar Hakim, really got my attention for that, anyway. Can two great players make a heyday? You decide. Here's Hakim's groove on Gil, from John Scofield's album Still Warm. This is the intro and the first couple of measures of the head:
You could play all this with your right hand on the hihat, but it works so much better to do it with both hands, natural sticking, playing the snare drum with your right, a la my Cissy Strut-style method— so any note on the beat or on an & is played with your right, and your left plays any es or as. If you've ever played alternating 16th notes on the hihat, your hands already know how to place these rhythms relative to the bass drum. There's nothing wrong with learning to do more things, so go ahead and retrain your right hand if you want, but to get anywhere on this instrument sometimes you have to take the easy, natural solution when it's presented to you.
Hey, you'll probably want a fresh link to my other Reed-based funk methods if you're going to get into that Cissy Strut thing.
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