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Thursday, June 18, 2015

Ginger Baker

October 2019 update: Mr. Baker has died, and I've updated and expanded this post a bit, and put it in past tense. I'm rather critical of him. If that's not what you want to read about him, the drummer Alan Cook wrote a very nice remembrance here.

Watching the 2012 documentary about Ginger Baker, Beware of Mr. Baker, he was to all appearances a very simple man, possibly mentally ill, definitely a Grade A bastard, which—well, whatever— a lot of artists are not good human beings. But I don't feel there's any reason not to write frankly about him.

Along with John Bonham and Keith Moon, Baker was one of the famous “drummery” drummers to come out of rock in the 60s, although his influence has faded by comparison. Moon was rough as a player, but had more likable energy, and Bonham— where do we start?— John Bonham was the future of rock drumming. You could argue that Baker had broader ability; he played a wider variety of music than Bonham or Moon, and he was an actual jazz musician— he just wasn't a very good one.

I once owned an album Baker made in the 90s, which had Bill Frisell and Charlie Haden playing covers of some great tunes from earlier in their careers— it's basically the same fanboy album I would have made at the time if somebody gave me $50,000 to make the record of my dreams. I can't fault his taste in listening.




Listening to his playing there, all the ingredients are there for a rocking, Paul Motian-like concept, but it is just not happening. I'm not going to expend a lot of effort analyzing it, but the frequent, Bam-Bam style, mono-dynamic, mono-rhythmic tom tom tom fills are a large clue— a gross indication that we're missing something fundamental. I think whatever narcissistic personality disorder helped him attract a lot of attention and advance his career when he was young also messed with his musicianship.

Here's the movie. There's a considerable amount hagiographic Hollywood nonsense about his incredible unprecedented genius as a drummer, which is obviously not the case. And irritatingly, in the world of this movie, black artists exist primarily to prove Ginger Baker's greatness. It's a pretty grotesque distortion of history in that respect.


4 comments:

  1. R Valentine9:38 AM

    I thought I was the only one to think this. Never understood the "Ginger is actually a jazz player' thing. Mono-dynamics, YES. Thanks for making me feel less crazy.

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  2. Anonymous4:42 AM

    That concert with the 12 and More Blues tune was just strange. Very off sounding. Unfortunate that he manages to get the audience he does for that type of music considering what's out there otherwise, but that's that I guess. As you say, it's probably got something to do with his narcissistic personality.

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  3. Anonymous2:22 AM

    He's ok but does seem overrated. Part of documentary also seems to be crediting him as being the only or first western musician to take a keen interest in African music/drumming. What about all the black Americcan musicians who were playing some of those rhythms years before him ?

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  4. Anonymous11:09 PM

    Hi,

    I really think you've done Mr. Baker an injustice here. Don't try to pigeon hole him and don't listen to him talk. Check out his many recordings. They are on YouTube. Graham Bond Organisation. Ginger Baker's Airfore. Baker Gurvitz Army. etc etc.

    A good album to start with be: Eleven sides of Baker.

    Said my piece.

    Ivor Bigun.

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