I've decided that one of the immutable laws of the universe is that everybody digs the same stuff— well, I've felt that way for some time, and it keeps getting confirmed. In this latest case: if you're listening to any Ornette Coleman and, oh, Paul Bley, maybe looking for tunes to play, you're going to end up with the same selections, partly because only some of them are transcribable and playable by normal musicians, but partly because everybody digs the same stuff and everybody knows the same stuff.
Call it the Have-You-Met-Miss-Jones? effect. Everybody loves Roy Haynes's opening rim shot on that tune, including Roy. If you've heard this record, it's instantly your favorite thing on Earth:
Interviewed by Alan Jones in Portland recently, Haynes is still bringing it up, 50 years and many millions of notes later:
So anyway, in today's reletively minor case, I was slapping together some new things for next week's tour, I stumbled across a site, a blog called Jazz Transcript Authority, sharing a bunch of the same damn things I was working on: Mr. Joy by Annette Peacock, Street Woman and Macho Woman by Ornette Coleman, plus some other things I had written up in the past— not exactly well-known stuff, from little-heard albums. We'll see how usable his charts are, but there's a bunch of other interesting stuff in the same ballpark: late 60's Miles, Collin Walcott, some Don Ellis. Worth checking out if you have any interest along these lines.