I listened to Problem Child by AC/DC a lot when I was in the 8th grade, and just happened to put it on for the first time in a few years, and realized how much a part of my subconscious Phil Rudd's very effective fills at the ends of the choruses are. I thought my tendency to fill using 3/8 groupings was a result of my jazz education, but that path was cut long before I ever got around to that, apparently.
The first is at 0:55. The chorus of the tune is a repeated two-measure riff; leading into the next verse there is a harmonic change, and an extra measure:
He plays time behind the guitar lead when the same transition happens at 1:48, beginning the solo. Coming out of the solo at 2:17 they extend the break by two more measures:
Audio after the break: